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My work in Fine art con­sists primar­ily in explor­a­tion of both fluid­ity and firm­ness of water­me­dia, through sub­jects and ideas uncom­mon in today’s cre­at­ive oeuvre. I call it a Post-modern Roman­ti­cism and Exist­en­tial­ism in art. Far and away from Real­ism (which to me in the age of quanta is a mis­guided idea in itself) then touch­ing Impres­sion­ism, Expres­sion­ism, Abstrac­tion­ism and post­mod­ern art vocab­u­lar­ies, I dwell mostly in ideas of Sub­lime of today.
What is that sub­lime force of life that makes sense and awes our mind in a sense­less, con­sumer­ist world we have rush­ingly developed, devoid of any sub­stan­tial mean­ing of exist­ence? Merely stat­ing the obvi­ous, or over­stat­ing the obvi­ous, or fail­ing to say any­thing worth say­ing — all while adrift in the void of intel­lec­tual and emo­tional empti­ness — is that what is served in many gal­ler­ies of today. But which I find pro­fane and shal­low.
I think, there can be more than that.